Two Games

Events, Poetry, Politics, Theatre

I’ve been commissioned for two performance-story-game things in the next couple of weeks. They’re both very different, but it’s fun to be thinking more deeply about how performance games work with different kinds of audience. The first is part of a city-wide scavenger hunt in Book Week Scotland, and needed to be suitable for any age and experience of person who might turn up. The second is an adaptation of one of the games in Class Act, and is designed for an arty party atmosphere; I specifically pitched it as a game for the people who like playing with lego in the corner of parties.

A Game of Many Stories
Calloo Callay Scavenger Hunt, Edinburgh
1st December, 1 – 5pm
http://www.scottishbooktrust.com/a-poetry-calloocallay-for-book-week-scotland

Welcome to the palace of the storytellers! You have come here on a quest, but to get your reward you tell the story of a whole new quest.

You will work together (and compete) to tell a new, magical fairytale. A story about a country threatened by a terrible dragon, and a plucky young adventurer’s quest. You will be dealt cards by the Master Storyteller. Each of these cards tells of one thing that happens in the story, and most of them also have a special power. When you play a card, you must tell the next part of the tale. You earn a point for every card you play, and the person with the most points wins a reward – and you may all continue your quest!

Players: 3 or more players, of all ages (though younger storytellers can ask for help if they want).
Time: 10-15 minutes, once we’ve begun.
Equipment: 30 story cards, based on Propp’s “Mythology of the Folktale

Surplus Value @ Hatch: MASS
Spanky Van Dyke’s, Nottingham
12th December, 7 til late
http://www.hatchnottingham.org.uk/?p=2391

One player is recruited to be the boss. They are seated in an impressive-looking chair, and told that they are going to set up a widget factory. They start with bundle of money and pile of lego. An initial workforce of 3-4 workers is recruited. In a series of rounds, the boss pays the workers to build widgets, and sells those widgets on the open market, attempting to make a profit. As the price of raw materials, living costs, and widgets fluctuates (engineered by the host), the boss and the workers begin to clash over wages. Anything can happen: sometimes the workers will strike for better pay, sometimes the boss will recruit supervisors to keep the workers in line, sometimes the workers attempt a co-operative buy-out, sometimes something else happens. The game illustrates simply how the bosses are forced to drive productivity up and labour costs down, while workers are trying to achieve the opposite.

Participants: At any time, 1-2 hosts, or, “the free market”, 1 boss, 3-5 workers
Time: 3-4 hours, or until the market crashes, whichever is sooner.
Equipment: Large pile of lego bricks, Bundle of fake money, “FTSE Index”: a projection or large sheet of paper tracking in-game prices, At least 10 square feet of playing space

Tips for open micers

Poetry

Here‘s me with my Inky Fingers hat on and Claire Askew of Shore Poets chatting to the List with some tips for open micers. A nice article put together by Charlotte Runcie.

Reading your own poems out loud to a room full of strangers might sound terrifying. Having done it a few times myself, I can confirm that it is. But with the number of poetry open mic nights in Scotland increasing, sometimes eclipsing their musical cousins, there must be a reason why so many people put themselves through it. So if you’ve penned a few verses and are considering taking the plunge, what should you look out for?

‘Open mic attendees are probably the most open-minded folks you could ever hope to meet,’ says Claire Askew, fellow open mic veteran and now Shore Poet, who blogs poetry advice at OneNightStanzas.com.

Harry Giles, a spoken word performer and one of the organisers of Edinburgh’s Inky Fingers open mic, agrees. ‘Open mics are usually supportive, encouraging places to be. Like many writers, I’m not the best at fitting into communities, but the spoken word community really welcomed me when I first started six or seven years ago, right from the get-go.’

Supportive and open-minded your audience may well be, but that’s probably not going to calm your pre-performance jitters completely. So how should you prepare to read poems that have barely seen light beyond the underside of your mattress, let alone a pub filled with expectant poetry fans?

http://www.list.co.uk/article/47087-tips-for-performing-at-poetry-and-spoken-word-open-mic-nights/

Poetry Pamphlets for Sale

Poetry

oam-harry-giles-cover-medium-high-quality

My second pamphlet, Oam, launched in November 2013. It was the result of a residency with Govanhill Baths, a wonderful once-and-future swimming pool in Glasgow. It’s a sequence of poems in contemporary Scots, all inspired by the Baths and its incredible history. You can read one of the poems here on National Collective, with videos coming soon.

The pamphlet is £2 plus postage, with all proceeds going to the Govanhill Baths Community Trust, helping the project reopen as a community swimming pool and wellbeing centre.

Giles seems to veer between an intellectual, formal severity and a desire to celebrate, a naughtiness that charms.
Donald Gardner, Sabotage Reviews

My debut poetry pamphlet, Visa Wedding, launched in November 2012. It’s published by Stewed Rhubarb Press, and is a sequence of twenty love poems, except some of them are hate poems, and some of them are addressed to Scotland or America or a building or a frying pan. You can read more about it here. I am inordinately proud of it, delighted that it’s with a lovely local publisher, and excited to send it out into the world. Please give it a good home.

We’ve also made a wee sampler for you to download, which showcases the lovely design and three poems from the full pamphlet (Visa Wedding #1, Piercings and Forest).

This pamphlet is a mere £3, with proceeds going to me, to help me stay alive and mostly enjoy doing so.

Buying Pamphlets

If you’re in Edinburgh (and sometimes around the UK), either come to one of my events and buy it from me there, or email me at harry@harrygiles.org and I can arrange a dead-drop or super secret agent park bench meet-up. But if you want it shipped to you, hit the right button below. Oam is £3 for the UK, £5.50 for anywhere else in the world; Visa Wedding is £4 for the UK, £6.50 for anywhere else; or you can buy both for £5 / £7.50. If you want multiple copies, please email me for a shipping quote.

Oam: UK: £3 inc. shipping

Oam: Everywhere else: £5.50 inc. shipping

Visa Wedding: UK: £4 inc. shipping

Visa Wedding: Everywhere else: £6.50 inc. shipping

Two Pamphlets: UK: £5 inc. shipping

Two Pamphlets: Everywhere else: £7.50 inc. shipping

Disclaimer
(for any Home Office officials who might be reading)

My marriage is not a sham:
it is a poem, and therefore just
as likely as not to be true.